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Dorothy Freudenberg – Painting a World of Metaphor with Pixels & Light

Freudenberg soon began working in layers and as her skills improved, she started constructing her pieces. Working from photos, pieces of graffiti she found on derelict walls, textures and bits of randomness, her photography changed to encompass gathering elements that would become part of art pieces. “I saw the world in a different light. I didn’t stop looking at the whole but started collecting pieces like a kid going out with a little goody bag getting pine cones and pine needles,” Freudenberg said. 

“I’m still like that kid…I’m doodling and when something catches my eye, I open it up and it seems to create itself and I’m just facilitating. My hands move the objects around until they find their desired place.”

Freudenberg calls her digital art a world of metaphor, emotion and expression. It can reveal her innermost thoughts and feelings with results that are as much painterly as photographic, “I am once more painting–this time with pixels and light.”

The benefit to working on her laptop is the ability to take her entire art studio wherever she goes. Because she is a busy grandmother, the most consistent time Freudenberg can carve out for herself is in the late evenings, or even in the middle of the night.

Her spirit is one of continued exploration and experimentation and Freudenberg has only the limits of the imagination in which to create. “I am excited to have a tablet; some of the art that is coming off of those is very spontaneous, and I have been thinking of ways to use that and add a new element [to my art.],” said Freudenberg. “Another thing I would like to explore is actual painting on some of the layers of the pieces so that it becomes truly a mixed media.”

Freudenberg is a fan of serendipity…when a postcard promoting the artists at Tumalo Art Co. came out for the November 4 art walk, her piece, At a Crossroads was presented next to Paul Alan Bennett’s painting, Our Conversation Drifted…she was struck by the similarity in colors between her poppy and his sleeping figure and decided to collaborate on a digital piece which became Dreaming of Giant Poppies.

“It wasn’t intentional, just a what if,” said Freudenberg of her collaboration. “I am very open to ideas and images and people and environment. That is the key, being willing to take risks and try different things.”

Her one challenge in creating digital art has been to find the appropriate market, “Because of the ease of this medium and the facility in which you can create, you wind up creating or going to forms of expression that are out of the box or unique or unusual and it is hard to find an audience sometimes because in any given area people have a certain type of art taste or a certain thing they want to see.

“I’m not interested in portraying the regional landscape so much as to express a state of mind or a thought process or some issue I’m working with or wrestling with and the medium is simply the metaphor for the process,” said Freudenberg.

She has gotten an excellent reception when showing art in Portland and would ultimately like to exhibit in larger metropolitan areas on the West Coast.

Freudenberg is a member of the Tumalo Art Co. in the Old Mill, Don Terra in Sisters and Art Works in Tumalo. She will be the featured artist at Franklin Crossing in February and will also be showing work at the Partners in Care hospice facility in Bend.

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