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Notes from the Publisher - Pamela Hulse Andrews

Celebrating Happy People From Burning Man to Sisters Folk Festival

Read more: Celebrating Happy People From Burning Man to Sisters Folk Festivalby PAMELA HULSE ANDREWS Cascade A&E Publisher


Let us be grateful to people who make us happy, they are the charming gardeners who make our souls blossom.
~ Marcel Proust (French novelist, critic and essayist 1871-1922)


It’s hard to believe that I would compare a brazenly weird survival camp to a mainstream harmonious music festival. The first, Burning Man, is in the middle of the Black Rock Desert, a hot brutal setting where the elements alone can measure your strength of fortitude. The other, Sisters Folk Festival, is situated in a quiet, comfortable town with pleasant amenities that allow you to settle in comfortably.


But coming from one to the other within a few short days allows me to reflect on why I like both and how the experiences are mutually rewarding.


Read more: Celebrating Happy People From Burning Man to Sisters Folk FestivalThe music at Burning Man is full barrels on cabaret...a quarry of mixed blues and rock’n’ roll, leaving no upbeat and weathered genre unturned. Whereby the Folk Festival is a well-planned bevy of unabashed Americana music from blues to honky-tonk to classic country and good ole’ rock’n’roll.


There’s much to like about both, although the Folk Festival clearly is all about the music and Burning Man is more complicated combining survival, connection and expression through amazing works of art turned into invigorating flames.


It seems silly to compare them if not for jumping from one to the other so quickly, hardly taking a breath from the hot crazy desert scene to the harmonious selection of the agreeable western town of Sisters.


Still the similarities remain with me and here is what I want to share:


There is something about being exactly where you want to be when you want to be there that makes people happy...and happy people I encountered at both places. Not just hi, what a nice day this is happy, but the kind of impression that you want to hug just about everyone you cross paths with. The kind of happy that if you lost your ticket or forgot where you were staying, you knew everything would be just fine. The sort of happiness that inspires a new adventure around every corner.


Second, the people who made it all happen, who spent all the hours and days before the event to make sure that everything was in place and your experience would be grand. Those people are really happy...even being exhausted they are still jovial, accommodating and welcoming. You want to say: I’ll have what she’s having.


Third, gifting. Yes, you are required to purchase a ticket to both events (although the mere $100 for Sisters Folk Festival is much more of a bargain that the $400 for Burning Man that includes only the desert dirt you get to camp on). But still they are both like a big family picnic, the guiding principles seem to be to share, enjoy and embrace the action.


At Burning Man cocktails and grilled cheese stands, enhancement workshops including drum making and pasties classes, hair-washing stations and art installations are gifts provided by Burners for others to enjoy.


At the Folk Festival the gift is the music, an abundance of exemplary sounds provided all day and way into the evening so that over a three day period The Road Goes On Forever and the Music Never Ends (Robert Earl Keen).


In a world of disasters, contradictions and complexities, it’s nice to find people doing happy things!


See photos of Pamela's 2014 Burning Man trip here


The Vision — BendFilm Flourishes with Indie Women

 by PAMELA HULSE ANDREWS Cascade A&E Publisher


You have to have a big vision and take very small steps to get there. You have to be humble as you execute but visionary and gigantic in terms of your aspiration. It’s not about grand innovation, it’s about a lot of little innovations: every day, every week, every month, making something a little bit better.
~ Jason Calacanis (American internet entrepreneur and blogger)


BendFilm is an inspiring, passionate and economically beneficial event embraced by the community in a pretty big way. An independent film festival that was once a dot on the radar is now one of the top 50 film festivals in the world named by MovieMaker magazine.


The four-day dream catcher gives our community a firsthand glance at documentaries that are gut wrenching, films that will make you laugh or cry or ponder along with a chance to meet innovative and hopeful filmmakers who are sure to find a spot in history.


BendFilm has had its ebbs and flows in its minor financial crisis and its changes of the guard through various directors, board members and sponsors.


But Bendfilm survives because it is a gift for our community and offers us the privilege, opportunity and responsibility to view great works of thought and visual intregrity through film.


Under the leadership of former BendFilm Executive Director Orit Schwartz, last year was certainly a banner year for the festival as it completed its tenth season and evolved into one of the most anticipated events in Bend’s history.


Several years ago the festival was highlighted by the performance of the amusing John Waters with his edgy Pope of Trash. But it was the Audience Favorite and the Best of Show winning a $10,000 award, The Trials of Darryl Hunt, that was so deeply moving and still reminds me today why we bring independent films here. Darryl Hunt spent 20 years in prison for a crime he did not commit. The winning film was a story of a brutal rape/murder case of a young white women in the south and a wrongly convicted young black man. With exclusive footage from two decades, the film frames the judicial and emotional response to a chilling crime — and the implications that reverberate from Darryl’s conviction.


It was a great tribute for BendFilm to host both Darryl Hunt and director Annie Sundberg and reminds me often of what an introspective experience BendFilm can be.


Two years ago, we fathomed the idea to create a special ‘club’ so to speak, whereby 100 women would each contribute $100 each to raise $10,000 for BendFilm awards especially for women filmmakers and directors.


Money raised is also wanted to fund valuable festival activities such as filmmaker visits, lectures and workshops, as well as attendee gatherings that have helped to make the BendFilm festival successful in past years.


You can see a list of some of the women who have given to the Indie Women fund over the years on page 34 of this magazine. With two years and more than $20,000 under our belt, we are well on our way to raising another $10,000 that will help the festival’s new and inspiring director, Todd Looby, put on another fabulous festival.


If you want to join Indie Women, it is most assuredly not exclusive, please contact me at This email address is being protected from spambots. You need JavaScript enabled to view it. We give in order to continue the amazing tradition of BendFilm.